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Comics and Adaptation
Contributions by Jan Baetens, Alain Boillat, Philippe Bourdier, Laura Caraballo, Thomas Faye, Pierre Floquet, Jean-Paul Gabilliet, Christophe Gelly, Nicolas Labarre, Benoît Mitaine, David Roche, Isabelle Schmitt-Pitiot, Dick Tomasovic, and Shannon Wells-LassagneBoth comics studies and adaptation studies have grown separately over the past twenty years.Yet there are few in-depth studies of comic books and adaptations together.Available for the first time in English, this collection pores over the phenomenon of comic books and adaptation, sifting through comics as both sources and results of adaptation.Essays shed light on the many ways adaptation studies inform research on comic books and content adapted from them.Contributors concentrate on fidelity to the source materials, comparative analysis, forms of media, adaptation and myth, adaptation and intertextuality, as well as adaptation and ideology. After an introduction that assesses adaptation studies as a framework, the book examines comics adaptations of literary texts as more than just illustrations of their sources.Essayists then focus on adaptations of comics, often from a transmedia perspective.Case studies analyze both famous and lesser-known American, Belgian, French, Italian, and Spanish comics. Essays investigate specific works, such as Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, the Castilian epic poem Poema de Mio Cid, Ray Bradbury's Martian Chronicles, French comics artist Jacques Tardi's adaptation 120, rue de la Gare, and Frank Miller's Sin City.In addition to Marvel Comics's blockbusters, topics include various uses of adaptation, comic book adaptations of literary texts, narrative deconstruction of performance and comic book art, and many more.
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Adaptation and Appropriation
From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms.In this new edition Adaptation and Appropriation explores:multiple definitions and practices of adaptation and appropriationthe cultural and aesthetic politics behind the impulse to adaptthe global and local dimensions of adaptationthe impact of new digital technologies on ideas of making, originality and customizationdiverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of artthe impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studiesthe appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale.Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.
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Adaptation for Screenwriters
Develop the critical and creative skills to ‘translate’ a story from page to screen with this step-by-step guide to the process of screen adaptation you'll learn to:- interrogate a novel or short story to release its ‘inner film’- convert fictional prose into visual drama- overcome the obstacles presented by different media ‘languages’- approach key strategic decisions - both technical and interpretive- draft and re-draft your plot, characters and dialogue- professionally format and submit your finished scriptIn addition to examples taken from ‘literary classics’, contemporary novels, genre fiction, short stories, and biographical material, Marland and Edgar embrace the wider phenomenon of re-telling and updating existing stories, such as the ‘appropriation’ of popular figures, inter-film adaptation (sequels and ‘reboots’), and development into other visual forms including graphic fiction and video games. Whether you are producing a faithful adaptation of Tolstoy’s War and Peace, or planning to pair up the crime-fighting duo of Sherlock Holmes and Batman, Adaptation for Screenwriters will be your guide.
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Engagements with Adaptation
Engagements with Adaptation invites students both to consider adaptations on their own terms and to engage with the urgent questions they raise about literary canons, the media industry, the relations among different kinds of media, the nature of national, political, and cultural identities, and the ways contemporary digital and social media have complicated the roles of producers and consumers of texts. Thomas Leitch guides students through six ways of thinking about adaptation: aesthetic, intertextual, industrial, biological, sociological, and participatory He explores multiple media and discusses a wide range of sources, including Frankenstein, Persepolis, Bridgerton, and the world of DC and Marvel comics.Each of the six chapters includes a detailed discussion of Greta Gerwig’s film Barbie to help readers gain compare the ways these six approaches can engage with a single text.The book also offers invaluable insight into copyright, censorship, critical race theory, and immigration.The questions at the end of each section embed and reinforce learning and prompt further research. This accessible and engaging guide shows how the ‘anti-discipline’ of adaptation studies is adjacent to a remarkable array of disciplines, making it a much-needed resource for students interested in television studies, moving image studies, digital media studies, translation studies, performance studies, music and art history and creation, border studies, race studies, queer studies, disability studies, and ecocritical studies.
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